Interdisciplinary: Traditional Craft

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Anti-amnesia posits that in order for declining craft and traditional industrial practices to have continued and far reaching relevance in modern-day economy, society and culture, it has become imperative to create provisions for a long-term dialogue with creative education and research. It would help craft activities avoid being restrictively classified as regional cultural showpieces and aid in curtailing situations of cultural appropriation.

https://ich.unesco.org/en/dive

https://whc.unesco.org/en/list/

https://www.mingei-project.eu/our-products/

Chatterjee, A., & Alvelos, H. (2020). Re-inscribing the value of craft in times of dictated obsolescence. Craft Research, 11(2), 275–294. https://doi.org/10.1386/crre_00029_1
UNESCO – Text of the Convention for the Safeguarding of the Intangible Cultural Heritage. (n.d.). Retrieved May 9, 2023, from https://ich.unesco.org/en/convention
Warner, L. C., Seitamaa-Hakkarainen, P., & Hakkarainen, K. (2021). Quiltmakers’ meaning-making in Aotearoa New Zealand: Social interactions, embodied experiences and material mediation. Craft Research, 12(1), 51–78. https://doi.org/10.1386/crre_00040_1
Hauser, H., Beisswenger, C., Partarakis, N., Zabulis, X., Adami, I., Zidianakis, E., Patakos, A., Patsiouras, N., Karuzaki, E., Foukarakis, M., Tsoli, A., Qammaz, A., Argyros, A., Cadi, N., Baka, E., Thalmann, N. M., Olivias, B., Makrygiannis, D., Glushkova, A., … Panesse, L. (2022). Multimodal Narratives for the Presentation of Silk Heritage in the Museum. Heritage, 5(1), 461–487. https://doi.org/10.3390/heritage5010027